Alternative to studio portraiture lighting equipment | ||
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Many amateur photographers are intimidated by studio portraiture, and for good reason. A trip to a working pro's studio reveals thousands of dollars of lighting equipment, specialized backdrops, and various posing accessories. Who can afford that? You have to remember that working pros need all that stuff because they're required to meet the needs of a various clients. Pros often don't know who's going to walk in the door and what that person is going to want. You don't have that problem. Your mortgage isn't dependent on your ability to meet every customer's whim. So, then, how much stuff do you need to shoot a professional-looking portrait? Your setup can be as simple as two flashes, two light stands, one photo umbrella, and a nontextured backdrop, such as butcher's paper. All of these goodies fit easily in the trunk of your car, enabling you to shoot great-looking portraits just about anywhere. Get Your Lighting TogetherFor this assignment, I'm going to start by showing you what I consider the easiest way to go. Even though the investment in this equipment is far less than what pros spend, the bottom line might still be more than your budget allows, figure about US$600. If this is the case for you, I'll present some low-cost alternatives. Let's start with the most desirable and go from there. First, it is strongly recommended a camera that has Manual Exposure control and accepts external flashes. A camera that has lots of flash accessories available from the manufacturer is even better. At the moment, Nikon and Canon provide the most options. When you're shopping for external flashes, look for models that can be triggered wirelessly by the camera. These units are perfect for the photographer on the go. Example: Canon Speedlite 420EX and a Transmitter ST-E2. The transmitter mounts in the camera's hot shoe and wirelessly triggers all the flashes when you trip the shutter. Not only does this configuration save you from the tangle of wires, but the flash units and camera also communicate during the exposure, so you get perfectly exposed shots without having to calculate guide numbers and f-stops. It's truly amazing. Nikon's offering is equally fantastic. | ||